Learning how to finish a piece is important knowledge that can only be learned from experience. It's not intuitive. Many times the work stops before the piece is done. Enter persistence.
For "Small Wonder", I ended up changing the composition (crop), background, value pattern and many of the edges. I even moved the right eye up 1/8th inch, widened the nose, and re-shaped the mouth...can't leave drawing errors on the board. It was almost a brand new drawing, so I re-titled it, too.
After an additional 25 hours, I'm satisfied I reached the point of diminishing returns on this drawing...ready for another "start".
The finished drawing after 55 hours...
|Small Wonder, 9x6", graphite|
|Amanda at Two, 14x11", graphite|
I just re-read "The War of Art" by Stephen Pressfield. If you need motivating, get this book. It's a quick read and so relevant to the creative process, whatever your medium.
This is what Pressfield says about persistence...
"The professional understands delayed gratification. He is the ant, not the grasshopper; the tortoise, not the hare. Have you heard the legend of Sylvester Stallone staying up three nights straight to churn out the screenplay for Rocky? I don't know, it may even be true. But it's the most pernicious species of myth to set before the awakening writer, because it seduces him into believing he can pull off the big score without pain and without persistence"
"The professional steels himself at the start of a project, reminding himself it is the Iditarod, not the sixty-yard dash. He conserves his energy. He prepares his mind for the long haul. He sustains himself with the knowledge that if he can just keep those huskies mushing, sooner or later the sled with pull in to Nome."